X-plosions Abound in Newest Installment of Marvel Franchise

3 out of 5 stars (average)

X-Men Apocalypse poster
Image from http://www.impawards.com/

Despite the seriousness of its title, “X-Men: Apocalypse” is one of the goofier entries in the ongoing franchise of films centering on the X-Men, a group of super powered people lead by Professor Charles Xavier (James McAvoy) as they fight oppression from fearful humans as well as Xavier’s old friend Magneto (Michael Fassbender).  This time around, the mutants must defeat a villain more powerful than anyone or anything they have ever encountered, Apocalypse (an overacting Oscar Issac), the world’s first mutant.  He has awoken from a centuries-long snoozer and decides to, what else, destroy the world and rebuild it in his own image (can someone say God complex?)  Xavier, Magneto, and Mystique (Jennifer Lawrence out of the blue makeup for most of the events) must put aside their differences and, with the help of a quirky host of new mutants (including some you may recognize, others you will not), defend the world once again.

To give away any more of the plot would be to spoil the proceedings, so I won’t. I came into this movie hoping for the best, as it has received very polarizing reviews in the mainstream community.  Some are praising it for “finally” embracing its comic book roots, while others are calling it goofy, boring, and too action-happy.  I am somewhere in the middle of those two camps, as I appreciate the goofier look of some characters (especially Nightcrawler, a blue teleporter), as well as the action (however much of it there may be), but feel the pacing is off in some places and the acting is occasionally mixed.

First and foremost, I found the story to be engaging. It isn’t anywhere near the level of narrative engagement as “Days of Future Past”, but it kept me interested.  I wanted to see where the characters would go and how they would change by the end, something this series has always nailed in my opinion.  Even if it isn’t Shakespeare, the story in “X-Men: Apocalypse” is nothing to scoff at.

A large part of that is due to the actors involved. James McAvoy and Michael Fassbender once again prove themselves as capable actors here, allowing us to feel their emotions gracefully and sympathetically.  I never would have imagined McAvoy as a young Patrick Stewart, but he finally shows shades of the original character here that make the transition easy to see.  Fassbender continues to stun me as a young Magneto, channeling Ian McKellan’s menace while adding sympathy to the character that McKellen never had.  Also, fan-favorite Quicksilver (Played with an unstoppable and unpredictable energy by Evan Peters) rushes back into the fray, providing much-needed snarky commentary on the tumultuous events.  I love this character because of the actor, and want to see him at least one more time.  Lastly, Jennifer Lawrence imbues Mystique with the maturity seen in the original films.  However, her character arc in these films has been eerily similar to that of Katniss Everdeen, her “Hunger Games” character.  I won’t say how, but you’ll know it if you think about it.

Unfortunately, the rest of the actors are either standard or not that great. Oscar Issac alternates between passable intimidation and YELLING ALL OF HIS LINES.  I hdon’t know if director Bryan Singer told him to do this or if Issac felt the need to imitate a Power Rangers villain, but it became unintentionally funny at some points.  Overall, he does a decent job, but this is a poor follow-up to Peter Dinklage’s menacing Bolivar Trask.  We also see younger versions of past X-Men here, and their actors are suitable, if not perfect.  That said, they had a lot to live up to, and they do a serviceable, if not memorable, job.

The action thankfully makes up for most of the acting shortcomings, until it doesn’t. The first half of the movie is primarily plot, something I did not expect and also enjoyed.  There is action, but it is quick and serves to move the plot forward. I was waiting anxiously for the big set pieces to come, and when they did, I wanted the dialogue scenes back.  The action is decently shot and suitably intense, with a minimum use of shakeycam and effective use of CGI, but the last 30 minutes hit us over the head with loud, endless explosions that nearly made me forget the end goal.  The 3rd act almost felt like a “Transformers” movie in its level of destruction, something I never want to feel in a Marvel movie.  I understand it’s the end of a trilogy (and likely the start of another), but the previous films were able to have big climaxes without sacrificing their narrative integrity, a trap that “Apocalypse” sadly falls into.  That said, it is a summer movie, so big over-the-top action is expected, especially in end-of-trilogy installments.  I just wish that I could have been affected emotionally by the action instead of staring in disbelief at its absurdity by the end.

All in all, I would recommend this movie to fans of the series. It’s action-packed, decently acted, and surprisingly funny for the circumstances (much of the humor comes from Quicksilver and Nightcrawler).  McAvoy and Fassbender again provide fascinating and layered performances that help compensate for the over-emphasis on explosions, and the new characters are good editions to the series.  “X-Men: Apocalypse” might not rock your world, but it will provide a chasm of entertainment for the summer season.

Rated PG-13 for Sequences of Violence, Action, And Destruction, Brief Strong Language, And Some Suggestive Images

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